English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703  Related Paintings of Monamy, Peter :. | A clam estuary scene | A clam scene,with two small drying sails | A Small Sailing boat and a merchantman at sea in a rising Wind | The taking of Porto Bello by Vice-Admiral Vernon on 22 November 1739 with six men-o-war only | A fleet coming to anchor |
Related Artists:
James Holland
1799-1870 British English painter. As a boy he was employed for seven years to paint flowers on pottery in the factory of John Davenport ( fl 1793; d 1848) of Longport. In 1819 Holland moved to London, where he continued at first to work as a pottery painter but also undertook watercolours of flowers and natural history subjects, exhibiting his works at the Royal Academy from 1824. After 1828 oil paintings predominated over watercolours in the many pictures that he exhibited at the Royal Academy, the Society of Painters in Water-Colours (of which he was made an associate in 1835), the British Institution and the Society of British Artists. He travelled to Paris in 1831 and subsequently made repeated tours of the Continent. Buildings in European cities now became his favourite subject, and above all, scenes of Venice, which he first visited in 1835; his Venetian views have sometimes been confused with those by Richard Parkes Bonington. In 1837 he was commissioned by the Landscape Annual to make drawings in Portugal, which were engraved in the issue for 1839. He travelled again to Venice in 1845, 1851 and 1857, making sketches en route of the Low Countries, France, Switzerland and Austria. Other subjects favoured by Holland were Blackheath and Greenwich (both London), where he lived from 1830 to 1845. He was renowned for his fluent draughtsmanship and for his brilliant colouring in both oils and watercolours, making liberal use of gouache in the latter. The contents of his studio were auctioned at Christie's, London, on 26 May 1870.
Johann Ernst Heinsius
German, 1740-1812
Florine Stettheimer
(August 29, 1871 - May 11, 1944) was an American artist. She has been described as "a Deco-influenced early Modernist whos never really gotten her due". Florine was born in Rochester, New York to Joseph Stettheimer and Rosetta Walter. Her father, a banker, left the family before the children were grown. She was the fourth of five children: Walter, Stella, Carrie, Florine, and Ettie. After Walter and Stella married, the youngest three immured with their mother to form an epicurean way of life.She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland. She studied for three years in the mid-1890s at the Art Students League of New York, but came into her own artistically upon her permanent return to New York after the start of World War I. In October 1916, the only one-person exhibition of her work during her lifetime took place at New York's Knoedler & Company. She exhibited 12 "high-keyed, decorative paintings", none of which were sold. Cushioned by family resources, Stettheimer refrained from self-promotion and considered her painting "an entirely private pursuit". She intended to have her works destroyed after her death, a wish defied by her sister Ettie, her executor. Stettheimer's privileged position pervades her work. As one critic has written, "money she regarded as a birthright, decidedly not something to be flaunted in the shape of a dozen yachts, but rather to be used as a palliative against the more unpleasant aspects of the world outside... In this frame of mind, she felt free to depict life as a series of boating parties, picnics, summertime naps, parades and strolls down Fifth Avenue." She created the sets and costumes for the 1934 production of Four Saints in Three Acts, an opera by Virgil Thomson with a libretto by Gertrude Stein. Her designs, which used cellophane in innovative ways, proved to be the project for which she was best known during her lifetime. She assisted her sister Carrie in the creation of the Stettheimer Dollhouse, now in the collection of the Museum of the City of New York. The house is a whimsical depiction of an upper-class residence, filled with works by Stettheimer's artist friends, including William Zorach, Alexander Archipenko, and Gaston Lachaise.